About Endlessness
Swedish chief Roy Andersson's assessment of normal human presence incorporates a reflection on whether the boundless exists. On the off chance that A Pigeon Sat on a Branch Reflecting on Existence was charged as the last piece of Roy Andersson's set of three on being human, alongside Songs From the Second Floor and You, the Living, what may one call About Endlessness (Om Det Oandliga)? Arriving five years after the fact, this long winded dark satire is particularly in the vein of the Swedish executive's prior work: light, looking, absurdist, now and again sharp and now and then agonizing. The well known fanciful lighting and mise-en-scene are constantly impeccable in catching human quirks. Be that as it may, the odd comical inclination that described the set of three is less clear than any time in recent memory.